The Eight-limbed Wheel

THE EIGHT-LIMBED WHEEL (VITRUVIAN BUDDHA). Color pencil and gold ink on black paper. Buddhism is called the Noble Eightfold Path, Arya Ashtanga Marga in Sanskrit. Interestingly, the term ashtanga is usually translated as “eightfold,” which is perfectly correct, but it can also translate as “eight-limbed.” Yoga practitioners will know the term in another context, as Ashtanga Yoga–“eight-limbed yoga”–a style popularized by K. Pattabhi Jois in Mysore, India, at least nominally based on the Yoga Sutra of Patanjali.

Drawing on (literally) Da Vinci’s Vitruvian Man, here the Buddha is superimposed upon the eight-spoked Dharma wheel. Each spoke features both the Sanskrit text for the particular limb, along with a Buddhist symbol intended as a mnemonic. The eight limbs thus include:

  1. Samyag drishti, Wise Vision, represented by the Eyes of the Buddha;
  2. Samyak sankalpa, Wise Intention, a lotus bud;
  3. Samyak vach, Wise Voice, a conch;
  4. Samyak karmanta, Wise Action, the Buddha’s footprints;
  5. Samyak ajiva, Wise Sustenance, a bee gathering pollen;
  6. Samyak vyayama, Wise Exertion, the eternal flame;
  7. Samyak smriti, Wise Recollection, mala beads; and
  8. Samyak samadhi, Wise Absorption, a Dharma wheel.

Samantabhadra Greets the Mantis

SAMANTABHADRA GREETS THE MANTIS. Color pencil and gold ink on black paper, 22″x30″. Samantabhadra is the bodhisattva of great action, whose gentle persistence is represented as an unstoppable elephant. This piece is inspired by a line from Yung-chia’s “Song of Enlightenment”:

“The elephant-drawn carriage moves like a mountain; how can the mantis block the road?”

The “elephant-drawn carriage,” in this instance, is Mahayana Buddhism, while the mantis represents lesser doctrines. Yet when we encounter delusive thoughts and beliefs, we need not rage or seek to destroy them, but can rather raise our hands palm-to-palm in greeting, recognizing these errors as old friends, like the foibles of a beloved brother or sister. Presenting no true obstacle, they are no threat to us, and so our minds and hearts move freely, unencumbered by any hindrance.

“All Bodhisattvas” at Core Art Space March 6

“All Bodhisattvas throughout space and time,” chant countless Buddhists around the world, invoking a multitude of awakened beings in past, present and future to help ease the suffering of the world and liberate all beings from delusive ignorance. In my upcoming show “All Bodhisattvas” at Core Art Space March 6 – 22, I draw on millennia of Mahayana Buddhist tradition to present these powerful archetypes with renewed vigor, grace and poise.

My drawings are particularly inspired by Himalayan and Japanese traditions of painting on black backgrounds, making special use of metallic gold pen and pencil on black paper for strikingly rich palettes and contrasts. The figures’ compositions likewise owe much to these traditions, along with nods to Buddhist lineages in Thailand, China and India, the flowing lines of Art Nouveau and the body-punch of Japanese tattoo design. At once lifelike and highly stylized, these figures glare and glide, leap and laugh. Fudo Myoo brandishes his sword and bugs his eyes in challenge; Manjusri bursts from the underbrush on a lion; Kannon surfs serene through the ocean tumult. Together they cry, “Wake up! Wake up! Wake up!”

“All Bodhisattvas” opens in the Annex at Core Art Space Friday, March 6, with an opening reception from 6-9 p.m.

Fudo Myoo, Immovable Wisdom King

Fudo Myoo, Immovable Wisdom King. Color pencil on black paper, 22″x30″. As usual sharing these images online is a cruel insult, since the camera never comes close to showing the scale, the depth of hue and the play of light on the metallic gold pencil, which is used extensively here.

However, I’ll be showing this piece and more at Core Art Space at a small solo show opening March 6, so come out if you’d like to meet Fudo in person. Announcement to follow.

Om Namah Shivaya

Color pencil on black illustration board, 32″ x 32″. Om Namah Shivaya translates as “I bow to Shiva,” though it can also be interpreted with each of the five syllables (na mah shi va ya) corresponding to the five elements (earth, air, fire, water, space), Shiva having dominion over them.